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Claude Gillot
(April 28,1673 Langres - May 4,1722 Paris) was a French painter, best known as the master of Watteau and Lancret. He had Watteau as an apprentice between 1703 and 1708. He was a painter, engraver, book illustrator, metal worker, and designer for the theater. His sportive mythological landscape pieces, with such titles as Feast of Pan and Feast of Bacchus, opened the Academy of Painting at Paris to him in 1715; and he then adapted his art to the fashionable tastes of the day, and introduced the decorative fetes champetres, in which he was afterwards surpassed by his pupils. He was also closely connected with the opera and theatre as a designer of scenery and costumes.

 

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Claude Gillot A scene inspired by the Commedia oil painting

Painting ID::  70633

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Claude Gillot
A scene inspired by the Commedia
A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm.
   
   
     

 

 

Claude Gillot A scene inspired by the Commedia Dell'arte oil painting

Painting ID::  72619

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Claude Gillot
A scene inspired by the Commedia Dell'arte
A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm. cjr
   
   
     

 

 

Claude Gillot A scene inspired by the Commedia Dell arte oil painting

Painting ID::  74389

X 
 

Claude Gillot
A scene inspired by the Commedia Dell arte
Description A scene inspired by the Commedia Dell'arte.jpg English: A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm. Date early XVIII century cyf
   
   
     

 

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Claude Gillot
(April 28,1673 Langres - May 4,1722 Paris) was a French painter, best known as the master of Watteau and Lancret. He had Watteau as an apprentice between 1703 and 1708. He was a painter, engraver, book illustrator, metal worker, and designer for the theater. His sportive mythological landscape pieces, with such titles as Feast of Pan and Feast of Bacchus, opened the Academy of Painting at Paris to him in 1715; and he then adapted his art to the fashionable tastes of the day, and introduced the decorative fetes champetres, in which he was afterwards surpassed by his pupils. He was also closely connected with the opera and theatre as a designer of scenery and costumes.